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SIN CITY TAKES ON GOD & THE GREATEST EPIC POEM IN ENGLISH LANGUAGE HISTORY
_POSTEDON 2002-03-20 13:49:28 by jimmyd |
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jimmyd _writes "The evolution of pornography nearly boggles the mind. What started out as a few cave paintings of homo erectus with big tits, finally became an art form (sic) in the 20th century. And now, in the 21st century, no subject is too taboo for porn (except maybe interracial couplings on box covers). And no story is exempt from porn-plagiarism (unless it's owned by the Walt Disney Company). Not even the bible, or even an epic poem considered by most academics to be the single greatest epic poem in the history of the English languge. Yes, I'm talking about John Milton's "Paradise Lost."
So who would have the balls, the 'nads, the fucking crust to take on one of the world's greatest works of literary art and turn it into an ass-fucking, cocksucking, crazy carnal carnival of lust? Extreme's Tom Zupko you say? Nay! None other than Michael Raven and those whacky executives at Sin City--all of them apparently going by the name Matt Taylor.
Personally, I always knew that this pairing of porn-jews and a Southern bible-belt gentile would yield something truly great and inspiring. The seeds of a monumental porn-endeavor always resided at Sin City. For way back when, there was Buck Adams who dreamed of space ships, and racing cars, and gangsters, and war movies, and how they fit in so nicely with sodomy, and adultery, and D.P.'s, and threesomes and foursomes, and barely legal nubile nypmhs sucking giant Viagra-free cocks. But then Buck seemed to lose his mind to a bottle of tequila and a crack pipe and he demanded bigger and bigger budgets, and he wanted to shoot crazier and crazier stuff with helicopters, and marching bands, and thousands of homeless extras, and computer animation, and not even a tough jew-with-a-balance-sheet like Micky Blank could control the outrageous demands until finally Buck had to go.
But Buck left a legacy. One that would take years to age properly...until now.
In my next installment of this story, I'll take you to the set of Michael Raven's vision of Sin City's version of Mathew Taylor's financing of John Milton's epic masterpiece. Judge for yourself. Has pornography reached a new level as an art form? Or is Sin City fucking with God and other stuff that would be best left to religious historians and real Hollywood moviemakers. You be the judge. In the meantime, I've posted a couple of pen-and-ink sketches I threw together from secretly being on Michael Raven's set as they wouldn't allow me or my camera there.
(Pictured Above: Michael Raven's directorial vision of Sin unlocking the gates of Hell as Satan prepares to journey across Chaos. Good acting on the part of the Guard looking the other way, very subtle, yet powerful.)
(Pictured Above: Michael Raven's directorial vision of Adam and Eve being chased out of Paradise. I thought casting an Eve with natural tits was a nice touch. She was, after all, God's first woman.)
I'll have more as I draw them.
TO BE CONTINUED
"
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